Fall
2005, Music 220, Seminar, Thursday, 2-5
Constructing a new
ritual context
Reform and music:
1450-1600
The
period 1450 to 1600 saw dramatic change in the patronage of ritual as power shifted from Catholic
hierarchy and monastery to multiple religious bodies and aristocratic and secular
control. The ways in which ritual music
of church, court, and town was reformed, standardized, and regulated encouraged
a change in music, composers, and performance practice. This seminar provides an opportunity to study
recent literature that defines ritual and reform, introduces new methodologies,
integrates interdisciplinary approaches, and casts new light on composers and
their works. Among topics for study are
the elimination of the sequence from the liturgy, music and early liturgies of
Luther, changing space and civic ritual, death and dying, the impact of print
technology, music instruments in ritual, and the influence of ritual on Busnoys, Isaac, and Lasso.
--
shifts in meaning and impact: ritual, liturgy,
ceremony
--
reform and the Catholic Church (standardization,
regulation)
--
reform and the emergence of new churches and liturgies
--
ritual and aristocracy (private chapel, public
celebration)
--
ritual and city/town
(feasts, processions, confraternities)
Selected
The Divine Office in the Latin Middle
Ages. Ed. Margot
D.
Crook. Orlando di
Lasso's Imitation Magnificats for Counter-Reformation
Munich.
A.
Busnoys: Method, Meaning, and Context in Late
Medieval Music. Ed Paula Higgins.
Antoine
Busnoys. Latin-texted Works. Ed. Richard Taruskin. 2 vols. Broude,
1990-1992.
Craig
Wright. The Maze and the Warrior, L’homme armé in the liturgy.
Harvard, 2001.
Martin
Luther. Liturgy and
Hymns. Vol.
53 of Works. Ed.
Ulrich Leupold. Fortress
Press, 1965.
Music and Musicians in